Feature: Nebno Decodes “Love Is a Special Thing”
Photo Credit: Angelika Annen
What was the creative process like for this particular single?
"Love Is a Special Thing" initially started as an instrumental piece created in my studio in Switzerland, based on several textured layers. The vocals and string arrangements were later composed and arranged in a studio in Reykjavík, where Francesco Fabris and I experimented with various elements. It’s always a special thing when you find your piece evolving in a new direction and you let it lead you.
How does this track fit into your overall artistic vision and what can listeners expect from you in the future?
Lyrically, this song is based on introspective writing where I explore different emotions that stand in contrast to each other, a theme that can be found in my other works as well. The percussive elements might introduce a new modern touch, but the song still retains a melancholic and ethereal character. Listeners can expect a series of singles and an album coming this year.
Can you share a bit about your musical background and the journey that led you to where you are today?
There was a strong desire to express myself through singing since I was little. With music studies, it started to become more professional and focused. This was also the time I was introduced to the album "Valtari" by Sigur Rós, which was like a portal to a new music world for me. In 2015, I began working on my solo music. My musical journey has been a blend of ambient and experimental sound art with neo-classical influences. Based in Zurich with a musical second home in Reykjavík, my work weaves cosmic and personal spaces, creating a textured and hauntingly ethereal soundscape. I released my debut album 'Streams' in 2019, followed by 'Low Skies' in 2021, collaborating with Francesco Fabris. I've had the privilege of working alongside artists such as Dustin O'Halloran, Mr. Silla, José González, Bára Gísladóttir, and Tamino.
Are there specific musical elements or techniques you enjoy experimenting with to create something fresh and innovative?
I don’t follow any specific concept while writing, but what I love to do to create a kind of flow or textural base is recording several vocal layers with my TC Helicon VoiceLive Touch 2 in the loop section. It’s usually a quite short loop, so I would be instantly building layers and have something to start with very soon. I love this machine, how handy it is to change between effects and filters.