5 Q&A With Monck
Tell us about your new album. Is there a person/event that stimulated the creation of 'easy to get lost?'
Making my latest album, "easy to get lost," was about capturing a whole range of experiences, not just specific events or people. It's made up of life's little bits and pieces, the seemingly insignificant, serendipitous side conversations that serenade us with unexpected inspiration, perspectives, or ideas - or those fleeting moments that throw you a curveball when you least expect it. Equally, it encapsulates the monumental shifts that life throws our way, those powerful turns of fate that redefine our existence in ways beyond our control, whether they bring pain or exhilaration. These experiences are like fragmented ornaments, like puzzle pieces. When I'm writing and composing, they come together bit by bit into thoughtful stories, lyrics, and tunes. Though I had a really clear idea of what I wanted to create, the whole process was really off-the-cuff, like wandering without a map. I often found myself lost in the music, only to emerge with something that felt just right for the album's story.
How does this release fit into your overall artistic vision?
In my work, I really enjoy pushing boundaries and experimenting with sound and the equipment I use. When I start a new project, I have a solid idea of how I want it to sound, but getting there is never straightforward. It's an exciting process because as I experiment, I often find a completely different sound or harmony that captures my attention. It feels like a happy accident, and I just go with it. This process of discovery and being open to the unexpected, this is what I would say defines my “artistic vision”. It's about embracing the beauty in those surprises that emerge along the way, and that's where the real thrill of creating music lies for me.
What is your personal favorite song from 'easy to get lost' and why?
This actually changes from time to time; It could depend on my mood or what's going on in my head. I'm really into "twisted" at the moment. It's a cynical view of the awkwardness and inadequacy of digital communication that often makes conversation so difficult, ambiguous and frustrating. Before this, I would have probably said "1994," a track that deals with my generation's tendency to procrastinate and ignore the pressing issues of the world. And who knows, tomorrow I might say "the bliss," and the day after, "watercolor boys and girls" — oh yes, that one's great too, haha.
Can you share a bit about your musical background and the journey that led you to where you are today?
I had classical music lessons when I was fairly young, but I hated every minute of it. My teacher was conservative, stubborn, and kind of hot-tempered, and eventually, I just couldn't take it anymore. It was in my teens during the late '80s/early '90s that I found joy again by playing in punk and hardcore bands. That period was pivotal for me, filled with enthusiasm for creating something unique, getting on stage, and simply having a great time. My musical journey later expanded to include everything from jazzy grooves to post-punk. Despite the struggle of producing an album as a band, I took the leap to produce my own. Now with two albums down, I'm not stopping, though I'll still keep jamming with bands and other projects.
Looking ahead, can you offer our readers a teaser of what's coming next?
Absolutely, I can fill you in! I'm in the middle of creating a new soundscape that's a wild mix of disco, vintage synth, and post-punk sounds. It might sound like a crazy combination, but it's coming together perfectly! I've already created a few layout-tracks, and there's a bunch more ideas simmering in my brain. So, there's definitely more on the way, and I think it's coming soon!
