ZerO On the Making Of ‘SMIL@Y’
What was the initial spark or idea that led to the creation of 'SMIL@Y?'
Actually, it was quite simple. I was listening to a lot of punk rock or heavy metal rap like " City Morgue" at the time ‘SMIL@Y’ was created. Then I sat there and thought I also want to make such an album. And this is how "SAVAGE MUSIC IDEA LAUGHS AT YOU" was created
Can you share any interesting or unique musical elements or production techniques used in 'SMIL@Y?'
Yes, I can. For example, "A BOY WITH A DREAM" was created during a live band jam session. That was really a funny coincidence. Then I heard the drums playing and knew ok I have to make something out of this. The rest of the tracks I recorded at home in my home studio.
How does this album fit into your overall artistic vision?
‘SMIL@Y’ fits right into my artistic vision, man! It's like the raw energy and rebellious spirit of punk rock distilled into sonic mayhem. This album embodies my unapologetic attitude and passion for breaking the mold.
Every track is a middle finger to conformity and a shout-out to individuality. And the sound? It's a sonic riot! From blistering guitar riffs to pounding drums, it's a sonic rebellion that's unapologetically me.
’SMIL@Y’ is a wild ride through the heart of punk rock, and it's the purest expression of my artistic vision. It's all about embracing the chaos, flipping the bird to the establishment, and wearing that ‘SMIL@Y’ badge with pride.
Can you introduce yourself and share a bit about your journey into music production? How did you become a producer?
Yo, what’s good? I'm ZerO the mask producer. My journey into music production started at the age of 10 years when I learned to play the guitar. After that, at some point, I got to know the program Fl Studio. I was immediately fascinated and discovered my passion. I immersed myself in synths, learned sound design, and experimented with genres. The white mask represents my focus on the music itself. I've had amazing collaborations and performances, and I'm excited to keep pushing boundaries. I want to create something that will outlast me. Thanks to everybody who listens to my music and supports me.
Are there any unconventional techniques you've experimented with that led to interesting results?
Definitely! I've explored unconventional techniques, like incorporating field recordings from everyday life into my music. As an example, I recorded the beginning of the intro in the forest. Then you hear two people talking and birds chirping it creates a gloomy but at the same time exciting mood. It's brought unexpected textures and a personal touch to my tracks, creating a deeper connection with listeners and expanding my creative horizons.