Vinter On the Making Of “Mirror”
What was the creative process like for this particular "Mirror?"
It’s been a long process. “Mirror” has been around in different forms since 2016 and every now and then I would go back and explore the melodies and rhythms in different ways. This involved things like slowing them down, different keys, and time signatures, but generally, the main melody was always played on the guitar. Over the years drums were added as well as other instruments such as marimba, horns, clarinet, and synths.
Were there any challenges or breakthrough moments during the songwriting process for "Mirror?"
Whilst the melodies of the song have been very similar throughout its different incarnations, I wanted to do something a bit different and explore unconventional time signatures. I eventually settled on 6/8 and the song really clicked from this moment onwards. It’s a time signature I really like, especially for a song like “Mirror”. It’s different enough to make you feel melodies in a fresh way without being too jarring.
What did you enjoy most about making "Mirror?"
Recording guitars is always fun because of the instant gratification, but making the music video was another highlight.
Could you share some of your musical influences and how they have shaped your sound?
The influence of minimalist composers such as Steve Reich and Terry Riley is particularly evident in a song like “Mirror”, especially in the repeating interlocking phrases, but also in electronic music like Tangerine Dream, Rival Consoles, and Jazz instrumentalists Portico Quartet who I feel exist in similar musical landscapes.
Are there any upcoming projects or releases that you're particularly excited about?
Absolutely, a couple more singles will be released before the end of the year which use the same instrumental palate as “Mirror” but go in very different directions with singing too. Some soundtrack work I’ve done will be coming out too which is exciting.