Nobody’s Wolf Child’s music is no less than a full-length fantasy novel or epic cinematic project such as the Games of Thorns. The storytelling is so rich between the lyrics, intricately woven imagination and visual elements together. Nobody’s Wolf Child’s vocal is just as powerful as her music production, painting a fictional world with nuance and texture. All the magic of her art is within the details. Nobody’s Wolf Child delivers a listening experience that stays fresh and engaging no matter how many times a listener choose to revisits.

“Green Fires” delivers the haunting Hunger Game type of storyline, where the symbolism of fire is fully explored in different dimensions and layers. “Burn, Burn on Fire, Rage across the land.” It paints a picture of the night before a Great War, going into full action within hours. Fire sparks splattering, sharpening the swords. Then there’s the quietness and ghostly hollows that chant in the undertone. The sound of metal clanging, vocals echoing between each other, the scream, rage and determination, sweat becomes something invisible yet so tangible in your visualization.

Nobody’s Wolf Child is so good at articulating the story she aims to tell with visual aids and sonic environment that truly feel like magic. She solidifies the impossible and makes sound tangible in listener’s mind. Only in her music will you ever be thinking a sound that feels like the chilling wind cutting your skin.

“Green Fires” takes a darker turn at the beginning of a new trilogy, as part of an even bigger project of Nobody’s Wolf Child. In the previous trilogy, “Lost Among The Pines” sets its scene in a forest of ice, “The Devil’s God” then taps into mystery and greed with a distinct ancient and nostalgic feeling that reminds you of Lana Del Ray. It’s undoubtedly exciting to follow through her work and see the full project unraveling before you eyes.

Nobody’s Wolf Child is gearing up for a full-length album.