Venior “Curtains Fall”

VENIOR is a rare artist who doesn’t come easily. The last person who seems to be doing something slightly similar is Igor Stravinsky, who innovated and rebelled against the Swan Lake-defined musical tradition. VENIOR is someone quite like that, who challenges the norms, the squares, the definition, and the matrix around us and brings something raw and untamed. But the unknown isn’t unknown, it feels like awakening and reconnecting to a part of ourselves that we no longer remember.

From the moment we were born, we were being defined, taught and shaped by the culture, society, history that surround us, but what if the curtain falls? What if none of the things that we thought we knew about humanity, existence, identity all disappeared? What are we then? “Curtain Fall” hits home to how VENIOR is created.

One thing that’s the most fascinating about VENIOR’s music is how similar it sounds like music and rituals of indigenous cultures around the world. The music that was born untampered and reflects directly a beautiful relationship between the soul and the earth. It’s primal, wild, and unfiltered, where the magical sparks exist between the notes. The drums, they were disobedient and misbehaving, but through chaos, they forge a path, leading the listeners into a deeper quest.

VENIOR’s vocal style is one of a kind. Her sonic palette is one of a kind. Actually, everything about her is unapologetically authentic and original. She isn’t afraid to splash her colors onto the canvas, to experiment and be aggressive as she’d like and be emotional as she’d like. There’s no limitation or boundary in her music. It’s just the way it is. “Curtains Fall” is softer and more harmonious. It sees the beauty and the magic in our reality.